Coursework Research - Dialogue continued

RESEARCH: DIALOGUE CONTINUED.

Dialogue:

Cinematic dialogue is oral speech between fictional characters. This distinguishes dialogue from other types of cinematic language such as voice-over narration, internal monologue, or documentary interviews, which have different characteristics. Writing realistic and effective dialogue is a laborious task. Most screenwriters need years of failed attempts and poorly written scripts to finally master the ideal chemistry that dialogues require to entice the audience and push the story forward.

I wanted to focus on dialogue and no dialogue scenes specifically in drama films because this is what we are thinking of doing for our coursework. 

Examples of dialogue scenes in drama films:

1. Dead Poets Society (1989) -

Dead Poets society is one of the seminal classics that is founded on great characters and fantastic dialogue, where more than a few inspirational quotes from Robin Williams are found everywhere. The dialogue, written by Tom Schulman, is clever, quick and classic, with the audience left inspired and moved as Williams' character teaches the students (and us) to learn to break out of their shells, pursue their dreams and seize the day.

2. The Social Network (2010) -

As it follows Harvard undergrad and computer genius Mark Zuckerberg, the dialogue could be no less clever. In fact, Aaron Sorkin won the movie an Academy Award for Best Writing Adapted Screenplay, clearly proving why his writing is clearly at the top of the game. The dialogue is so dense and packed tight in everything he does that his scripts are 3 and 4 times longer than most. It's his belief that we don’t need to speak down to the audience that I like so very much.

3. Good Will Hunting (1997)

Will Hunting, a janitor at M.I.T., has a gift for mathematics but needs help from a psychologist to find direction in his life. This clip shows some of the brilliantly clever dialogue that is conversed between Will and his peers, tutor and psychologist, throughout the movie. I think this develops the character, shows how clever he comes across on screen and without this, the character wouldn't be the same. 

What are the positive effects of dialogue in the examples?

There is really nothing compared to a well written and intriguing screenplay. Whether it be witty and fast-paced dialogue or intense and foreboding, the writing of a movie can really drive the character development and action. There are many positive effects of using conversation like to create a certain atmosphere or to portray thoughts. For example, it can be to express the feelings of the character, that would have been previously unknown. Dialogue can also have a positive effect on the viewer because a conversation or a speech can be creatively enhancing to the film and make the audience think. In the examples, dialogue helps us understand the characters more, in 'The Social Network' (in the clip above), the dialogue comes across as arrogant and therefore we can sense what kind of character he is. Or, the dialogue is used in sometimes a somewhat confusing yet clever and quick way to get the audience thinking. For instance, in one of 'Good Will Hunting's speech (again, in the clip above), I'm sure people can appreciate the lengthy monologue and the creative writing that, together with the performance, produces a brilliant scene.

What are the negatives effects in the examples?

However, there are some parts of dialogue that aren't particularly helpful or important as some instances in a film can impact the audience in a negative way. This can include occasions where the dialogue can become a little too clever, and complex and confusing conversations, that may seem clever but actually, nobody understands. A negative effect of dialogue in a film is that sometimes filmmakers, especially new up-and-coming ones, fall into a trap where they erroneously believe that dialogue alone is enough to provide enough excitement. However, this is not the case, as other mise-en-scene conditions are just as important. Therefore, dialogue doesn't have to be included just because it's there, but alternatively, it could make the film worse. Is often said amongst screenwriting that if the dialogue doesn't move the movie forward in any way, it should be taken out. Check out the confinement of the jury room of 12 Angry Men, where the actions, gestures, expressions, and objects are used to fill the void that dialogue couldn't.

What are the positive effects of no dialogue?

Using no dialogue in a film sometimes can create a film that just as exciting as a film with dialogue. It, therefore, means that the actions, gestures, expressions, and objects can play a much bigger part, as the audience are more likely to focus on these other mise-en-scene conditions more. I think that in the world of cinema, dialogue can sometimes be a hindrance and films may get bogged down in the foolish words spoken to each other, and meaning may be lost. No dialogue films can also remind us of films around the 1890s to 1920s, and all of them were completely silent, In silent films for entertainment, the dialogue is transmitted through muted gestures, mime and title cards which contain a written indication of the plot or key dialogue.

What are the negatives?

It is easy for no dialogue films to go wrong, and that's understandable, seeing too much over-expressive facial acting, too many contrived silent set-ups that obscure character development and motivation, as well as an over-emphatic soundtrack to fill in the gaps, can ruin a good plot. I think its a very fine line between reminding the audience of how minimalist a good film can become when dialogue isn't used, and when dialogue is needed to make the film so much better. Another negative of using no dialogue is simply to make certain the audience understand the film, not relying all the time on facial expressions to guess conversations. 

What issues do I think I would face in my own coursework by using dialogue?

When using dialogue in my own coursework, there could possibly be some issues. For instance, none of our group has ever written any screenplay or have experience with writing scripts and dialogue. This means it could take some time in figuring out how to plan, and then write the conversations, any other monologues or dialogue we want in our film. Becuase we've never done this before, it could be risky to include dialogue as it could come across as 'cheesy', 'ill-done' or too much. 

What issues do I think I would face in my own coursework by not using dialogue?

However, I think not using dialogue could cause just as many problems. For example, the audience could see that its an easy option out of using dialogue if we don't use it and we haven't at least tried. Perhaps not using dialogue could seem as if something is missing in the film. But, if all of the other mise-en-scene conditions went really well then we could pull having no dialogue off. I think it could be really effective depending on the plot to not use any dialogue, but it could be easier for us to use dialogue as it can explain more to the audience than expressions, and gestures can.

LR

Coursework Research - Sound

Coursework Research - Sound

What are the conventions of music in film openings in the following genres?

Comedy - This genre of film tends to use a technique called "Mickey-Mousing", this is the process of an action happening on the film and then a noise relating to it, for example someone slipping on a banana skin, and then being followed by a crash of cymbals, it can also use unexpected turns and twists in the melody and rapid changes of musical style.

Horror - The music in a horror film is designed to scare us, making the experience of watching the film more intense as it's now including all of the senses that a human has, therefore heightening suspense and terror. Horror films tend to use Atonal music, atonal music is not related to a tonic note and therefore has no sense of key. It's not just music that is used in horror films, it tends to be the sound effects that are more effective and are in fact the things that scare people. Horror films include a lot of abrupt shifts up and down in pitch, this is used to intensify the scene of the film, and add another layer of fear onto the audience. It's also the screams that feature most widely in horror films, the screams tend to be from a female character, this could be used as the majority of females watching a horror film will find it scary, therefore the film is relating to the person watching once again and they can connect with it. Oddly another piece of music that can be used is childhood nursery rhymes which have been slowed down and dropped in pitch, and being sung in a disturbing way, this tends to freak out the majority of an audience, as they associate that sort of music with young innocent children, and not mentally disturbed people.

Action - In action films the music that tends to be used is of a fast pace and energetic. This sort of music is used as it reinforces the idea that the action film is of a fast pace with things changing at any second. The music can also sometimes have unexpected drops in bass or rhythm, this can be used dynamically by film producers as they can co-operate this sort of music with certain scenes in the film, where the action may take a turn and become faster or slower, or maybe even feature an unexpected turn. Sound effects are also used in action films, these effects tend to be of a violent nature, therefore being gun shots, swords making contact and other noises which may include explosions.

Drama - In drama films the music tends to be intense as it needs to create more suspense so that the audience are more on edge. Drama films tend to draw more attention to the sound as they feel it is more important in this genre. The sounds that are associated with drama films tend to be of a loud and intense nature.

Romance - In romance films the music that tends to be used is slightly slower, with a slower beat and the words that tends to be used within the songs is of a romantic nature. This sort of music is used as it is closely related to the genre of film, this music also helps to set the tone and the direction of which the film is going in which allows the audience to relate closer to the film and therefore empathise with it more, the music tends to make the portion of the audience who are female cry as they've used the music wisely with the screenplay, which would overwhelm them. 

Coursework Research - Dialogue

RESEARCH: DIALOGUE

What is dialogue?

Dialogue is a conversation between two or more people as a feature of a play, book or film.

Is dialogue necessary in the opening two minutes of a feature film?

I don't think that dialogue is completely necessary in the opening two minutes of a feature film, as a lot of film trailers and the opening of films feature no sound at all, meaning obviously that there would be no dialogue at all. If you include dialogue you normally tend to give away more of the plot compared to if you weren't going to use it, this therefore keeps the plot of the film unknown and then makes the audience more intrigued and curious about the rest of the film. Dialogue which is used in the opening of films has to be used wisely and effectively as it sets the tone for the rest of the film, so it's best to only include dialogue in the opening of a film if it can be used in the way you wish it to be used.

Here are clips of examples for each of the following genres where dialogue is NOT used and one example for each where it IS used in the opening two minutes.

Comedy -

In comedy, it is often the case when dialogue is vital to carry the humour in the film, but it can be the case, especially in silent comedy films such as 'Mr. Bean', that dialogue is not necessarily needed to portray the comedy. Where dialogue is used: Borat / Where dialogue is not used: Hot Fuzz 

Horror -

Dialogue in Horror can be quite different to dialogue in comedy but also quite varied within this genre. Lots of typical famous and scary scenes have no dialogue to create the scary scenes where we are waiting for the sound to come in and scare us. Where dialogue is used: The Conjuring / Where dialogue is not used: The Babadook

Action - 

Action films can also be dependant on dialogue to get what the film is about and it is very rare to see complete no dialogue scenes unless, in the examples cases, Batman or James Bond have to be particularly quite to build suspense. Where dialogue is used: The Dark Knight /Where dialogue is not used: Casino Royale

Drama -

PLEASE LOOK AT 'DIALOGUE CONTINUED' TO SEE A MORE DETAILED EVALUATION ON DIALOGUE AND NO DIALOGUE IN DRAMA FILMS. 
Where dialogue is used: Boyhood /Where dialogue is not used: Schindler's List

Romance - 

In romance films, the dialogue can often be funny and typically romantic and its not often that no dialogue scenes are used, yet when they are it can be used to describe awkward moments. Where dialogue is used: Silver Linings the Playbook / Where dialogue is not used: Dear John  

LM

coursework - What do we expect to see in the opening 2 minutes of a feature film? Existing student-made film openings

What do we expect to see in the opening two minutes of a feature film? Existing student-made film openings 

Whilst researching film openings, we carried on looking at feature films that were student made perhaps more achievable. We continue to look at the tick boxes which we consider to create an excellent film opening. This includes: what the audience expects to see, camera shots and angles, and openings made by Robert Zebecks and other professionals, its hard not to have high expectations for these student-made films, as the experts made it look so easy. 

Here's three student-made feature film openings:

Captive: Captive 

Captive shows a man held hostage who looks as if he has been tortured or beaten violently. During this opening we are not given any dialogue however we are given a spooky/haunting music which makes the audience believe something horrific has happened to the man. The camera angles within this opening are varied as there is a CCTV camera styled shots throughout the opening. There are credits appearing throughout the opening in a jumbled way, this may suggest they are trying to hide something during the film, therefore portrayed it through who they presented the credits. I understand that the audience will expect to see a horror/thriller genre of film as there is a lot of gory details within the camera shots. We see that the captive is alive, tied up and disorientated but the audience, are unsure whether he's a good person or bad, whether he knows why he's there or not etc. The shots seeing CCTV cameras ad then the screen spilt into four to see the different angles of the CCTV cameras within the building enhances the seperation  and captured environment by implying that someone could be watching the building. it produces questions of who is keeping him here and why are they keeping him tied up. The titles appear flickering and jumbled, not saying long on the screen, fitting in with the scenes and in style with the secretive atmosphere. 


Exiled: 

i think for this film opening, the students really focused on the settings and the characters, with the plot having good potential with simple and fitting dialogue. it's most likely that the setting around them was their normal surroundings in and the students used it very creatively in the story. I personally really admire the costumes and props, as it was simples fit with the time period/fantasy storyline. The editing was well executed with the dragon looking very realistic. The titles, also, were well timed and fit with the whole story. The audience, i think, can assume a vague idea of what will happen in the rest of the film, and therefore i think that this makes for a really well put together film opening. 

Carnage:

'Caring' we are introduced to a brief plot and we assume the main character is the man who is hunting people down, but we don't know that so its only our assumption. There is no dialogue in this piece of film which makes it for an effective opening. There are several shots of a location but i would assume they are all filmed within one location. The credits flash on a black screen to fit in with the dull dark colours of the background shots, and together sets up the audience for what we assume to be a dark atmospheric film, All of these factors add to the rise-en-scene of the film. 

LR

Coursework Research -Target Audience

What is a target audience?

A particular group at which a product such as a film or advertisement is aimed.
A target audience is the intended audience or readership of a publication, advertisement, or other message. In marketing and advertising, it is a particular group of consumers within the predetermined target market, identified as the targets or recipients for a particular advertisement or message. Businesses that have a wide target market will focus on a specific target audience for certain messages to send, such as The Body Shops Mother’s Day advertisements, which were aimed at the children and spouses of women, rather than the whole market which would have included the women themselves.

what is the target audience for each of the following genres?

Comedy - the target audience of a comedy film is very dependent on the content of the film. for example children's films labelled as PG's or U's can have comical scenes in which would link it to the comedy genre, the films would appeal to young children as well as parents as they are often family films. However the audience  would be completely different for a comedy film labelled as a 12 or a 15, these films have the target audience of the audience of the certificated age given to the movie as the base, the movies are likely to appeal to people over the labelled age of film simply because comedy has a large target market appealing to larger proportion of the comedy theme market.  the final age partition of the comedy target audience is 18 certificates, these films although still based around comedy are often more explicit in terms of language and scenes, making the film heavily aimed at over 18 years.

Horror - The target audience of a horror film is very dependent on the content of the film. For example horror films labelled as a 12 or a 15 have the target audience of the certificated age given to the movie as the base. The final age partition of the horror target audience is 18 certificates, these films although still based around horror are often more explicit in terms of mature scenes, language, making the film heavily aimed at over 18 years. 
Action - The main target audience for action films again is age 13 – 28 years of age and generally aimed at mainly males, this is because males of this age range generally are more interested in fast paced storys with lots of action filled scenes that include explosions and fight scenes. This genre attracts men as they like to imagine themselves as the main character. Depending on the graphic nature and style of violence can alter its audience as comic book styled violence will attract fans who prefer a more unrealistic style of action, e.g. sin city, 300 and watchmen.

Romance - The wide appeal of romance films is because of the emotions that the characters display within these type of films, and this is why in our opening we have not used any dialogue but only used emotions as this is what is stereotypically related to romantic films. The aim is to get the audience to feel connected with a ‘real life situation’ or a’ slice of life’ . The likely gender would stereotypically be females as it is said that they prefer films of which they can relate to and emphasise with.

Drama - Shown from research, the main target audience for a period drama film is typically women aged 17-50. The period drama genre can span a wide age range due to the content. It has a wider target audience than some genres such as teen movie, as it can related to a wider audience, du to the range of characters and varying plot lines. many period drama films have a romantic storyline, which could also appeal to women more than men. However some period drama films are not targeted at a  female audience, such as 'Dorian Gray' which involves more violence and has an overall dark feel than most over period drama films. This could have been done to attract a wider audience. Although i also believe that the target audience is also very dependent on the age certificate labelled on the film covers. 

what would be the target audience for 'your idea so far'? And how would you attract these people to watch your film? 

I understand the target audience for our 'idea so far' would most probably be the age certificates of 12. My group and i understand that our film idea would not be suitable for anyone younger than the age of twelve to watch. 

Studies show that Internet users are becoming increasingly responsive to video, and we should therefore be using video to capture our target audience. We need to keep our videos short and sweet, and make sure they are informative, entertaining, and – most of all – relevant to our target market.

In the film itself you can attract the target audience, the age of the characters and clothes they wear can attract the appropriate target audience. Location and setting does the same, for example if the film is set in a house party then you know that the film is aimed at younger age groups.

Coursework Research - Attracting target audience

Attracting our target audience

The first step to any film being successful, is how film companies attract their target audience using marketing and advertisement. Millions of pounds are spent on each year on advertising their films to the world. In order to advertise their film, the marketers have to determine where the target customers receive their information from and where they would view news of the new film . Popular sources for adverts and spreading news about film and TV productions include television commercials, friends and family, social networks, magazines, blogs, forums or consumer review websites.

Studies show that ninety percent of all American Internet users visit social media sites and it isn't much different for UK internet users in a first world country. When attracting our target audience, if we want to initiate an effective online marketing plan, then we cannot afford to overlook the power of social media. One of the best things about marketing to the social media sector is that we ca advertise to the exact demographics you are trying to reach. When it comes to social media facebook beats out all other social networking sites on visitors and time spent on the site.

Studies show that Internet users are becoming increasingly responsive to video, and we should therefore be using video to capture our target audience. We need to keep our videos short and sweet, and make sure they are informative, entertaining, and – most of all – relevant to our target market.

In the film itself you can attract the target audience, the age of the characters and clothes they wear can attract the appropriate target audience. Location and setting does the same, for example if the film is set in a house party then you know that the film is aimed at younger age groups.

ML

Coursework Research - Breaking fourth wall

RESEARCH: BREAKING THE FOURTH WALL

What is it?

Definition: A dramatic technique in a work of fiction where characters display an awareness that they are in such a work.

Breaking the fourth wall is a unique thematic device at the disposal of the filmmaker. Most cinematic techniques pull us into the story and forget we're watching the film but breaking the fourth wall does the opposite: it reminds us that we're actually an audience member watching whats happening on screen. We love when characters in films break the fourth wall and talk to us, meaning they ignore the imaginary “wall” that keeps the actors from the audience. Whether they do this through expressing inner thoughts, acknowledging they’re in a film, or venting to the camera (and in turn, the audience).  In the opening two minutes of a film, it's normally the part of the film getting the audience into the film, yet using this technique, it adds a dynamic to the opening, catching the attention of the audience and makes sure that we are drawn to this character and their thoughts and intentions. The following films break the ever-so-sacred fourth wall, but only 'Ferris Bueller's day off' breaks it in the opening.

Examples:

'Annie Hall'
A classic breaking of the fourth wall comes from Woody Allen’s classic romantic comedy, “Annie Hall.” Allen’s character Alvy Singer often breaks the fourth wall to comment on details of his relationship with Diane Keaton’s character. The video to the right shows Woody Allen breaking the fourth wall to complain about queues outside movies when the man behind him interrupts.

'High Fidelity'
In the 2000 film, “High Fidelty” John Cusack’s character Rob Gordon famously breaks the fourth wall to tell the audience the top five things he misses about Laura. Watch below.

'Ferris Bueller’s Day Off'
The lovable Ferris Bueller (played by Matthew Broderick) is constantly talking to the audience like they’re his best friends. The film makes it clear in the very beginning that it’ll be ignoring the rule of audience movie separation. Bueller continues in the film to offer to the audience some great advice on how to trick your parents into think you’re too sick for school.

Is it something I would contemplate in my own coursework?

Breaking the fourth wall is definatly something I would consider trying in my coursework. Whether it would work effectively is another matter. Deepending on the plot, setting, genre, characters and the cast i think it could work. It is something that interests me but i think for it to work effectively, I would need a cast member that feels comfortable doing it and knows how and what to do so that it would be easier to complete.

- Lily Ray

Coursework Research - Character

RESEARCH: CHARACTER

A character is the representation of a person in 











A narrative or dramatic work of art (such as a novel, play, or film). 

How important are characters particularly in the opening 2 minutes of a film?

Character introductions are especially important. The moment a character is introduced carries the ability to invoke some of the most powerful emotions: joy, anger, fear, and envy. Not only can this moment inspire an intense audience reaction, but it can also offer a unique opportunity for insight and explanation. We can learn about a character in many different ways. We can learn by what they do and what they say. We can also learn by what other characters say about them and how they react to those characters. The best character introductions in film not only use these means, but they do it in a concise and creative way. 

Character profiles of three different existing feature film characters:

Jack Sparrow in Pirates of the Caribbean: The Curse of the Black Pearl (2003):

The music swells as the great Captain Jack Sparrow sails into Port Royal. It's a dramatic and heroic moment... until the shot reveals his sad, sinking boat. Jack jumps off the mast just before it becomes fully submerged underwater and swaggers past the dockhand. The mere image of his arrival on his sinking boat is enough of an analogy to understand Jack Sparrow. He is a pirate that could be a great Captain, if only he had the means. It could be seen that his entrance could be considered sad - he salutes his dead comrades and then returns to bailing water out of his ratty boat. Instead of coaxing pity out of the audience, this backdrop allows Jack to show the audience style, attitude, charm, and impeccable timing. This introduction relies on the character's personality to turn a depressing situation into a glamorised entrance that leaves the audience wanting to see more of Captain Jack Sparrow.

Sundance in Butch Cassidy and the Sundance Kid (1969)

It's a scene that shows the importance of character reactions, where Sundance shows his importance during a blackjack game. This scene not only establishes Butch and Sundance's relationship, but it shows the audience that Sundance is a man to be feared. The last part in the character introduction scene includes Macon asking Sundance how good he is with a gun. Sundance responds by shooting Macon's gun belt off of him, without inflicting any injury. With this swift move, Sundance's superiority is secured. 

Darth Vader in Star Wars: Episode IV - A New Hope (1977)

When Darth Vader made his film debut, he secured his place as one of the greatest villains of all time. His appearance is enough to secure such an honor, but it is his manner that seals his fate in film infamy. The Rebel ship has just seen a laser-gun battle and dead bodies litter the corridor. From the passageway, Darth Vader appears all in black. He immediately commands respect as the Storm Troopers stand at attention. His helmet, cape, and voice make the moment even more dramatic. He strides past the dead bodies and continues on to interrogate a Rebel Officer. He kills the officer with a chilling ease that could make any audience member shudder. His appearance, presence, and actions make him the ultimate image of evil.

What makes these characters so iconic?

These characters are so iconic because they create a vision for the audience of something from imagination to reality. If done correctly, the character introduction can begin the transformation of a character into an icon. Especially Darth Vader and Jack Sparrow, the viewers are bought into a franchise because they either love or hate the character that has been produced. 

What do important characters add to the narrative?

Characters can add and have a great affect on the narrative. This is because everything the character portrays on the screen is with either narrative or no narrative, the former having a greater effect on the audience, mostly due to the viewers wanting to know what the main characters are thinking and this is when narrative can help. When there's no narrative, however, we look and concentrate on the dialogue, body movements and facial expressions of a character, more aware of what the character is going to do an what they say than the narrative of a story. 

How much does the audience find out about them in the opening two minutes?

In the opening two minutes, a viewer can find out a lot about a character, such as an action film or perhaps a crime movie where we are thrown into the chaos. Yet, it is more likely that an audience still have no idea what a character is about after the opening two minutes. This is is because it's only two minutes, and we still have the same characters to develop over hours to come, so the directors don't want to give too much away too quickly, otherwise the plot can't go anywhere. Due to this its very common for the introduction to a character in the opening two minutes to have a couple of lines of narrative, some scenic shots, depending on the genre, but other than that don't expect much to unfold about a character in the opening two minutes.

LR

Coursework Research - Narration

what is Narration?

Narration is the use of a written or spoken commentary to convey a story to an audience.^[1] Narration encompasses a set of techniques through which the creator of the story presents their story, including:

• Narrative point of view: the perspective (or type of personal or non-personal "lens") through which a story is communicated
• Narrative voice: the format (or type presentational form) through which a story is communicated
• Narrative time: the grammatical placement of the story's time-frame in the past, the present, or the future

A narrator is a personal character or a non-personal voice that the creator (author) of the story develops to deliver information to the audience, particularly about the plot. The narrator may be a voice devised by the author as an anonymous, non-personal, or stand-alone entity; as the author herself/himself as a character; or as some other fictional or non-fictional character appearing and participating within their own story. The narrator is considered participant if he/she is a character within the story, and non-participant if he/she is an implied character or an omniscient or semi-omniscient being or voice that merely relates the story to the audience without being involved in the actual events. Some stories have multiple narrators to illustrate the storylines of various characters at the same, similar, or different times, thus allowing a more complex, non-singular point of view.

Narration encompasses not only who tells the story, but also how the story is told (for example, by using stream of consciousness or unreliable narration). In traditional literary narratives (such as novels, short stories, and memoirs), narration is a required story element; in other types of (chiefly non-literary) narratives, such as plays, television shows, video games, and films, narration is merely optional.

Give one example of the use of Narration in each of the following genres:

• COMEDY - usually the narration comedies is witty and humorous. for instance in 'The Inbetweeners' there is narration however it does not deal with meaningful feelings, but it includes funny jibes.
• Horror - The narration in Horror films usually includes serious and direct dialogue, i believe this is due to the suspension building up throughout the plot. For example, during the film 'The women in black' the dialogue is mature and humorless.  
• ACTION - the narration during an action film is usually fast and quick due to the suspension building up throughout the plot. An example of an action film could be 'Skyfall - James Bond'. This film encourages the audience to want to know what is going to happen next as there are continuously knew things occurring that you want to find out more about. 
• DRAMA - The narrative of a drama film could be any emotion, because when the problem occurs during the middle of the film, it could end happily, or sad. It could leave any emotion. For example, with 'Toy Story' everything is all going well until Andy buys a new toy (Buzz Lightyear) and Andy doesn't like him because he is jealous, causing the audience to possibly feel sorry for Andy. 
• ROMANCE - The narrative for a romance film it to share feelings and emotions between the couple. The problem in a romance film could involve the couple breaking up or having an argument. This would cause the audience to feel upset or sorry for the characters which creates emotion. An example of a romance film could be 'The Fault in Our Stars' which is a sad film as the problem is where both of them have cancer. This is the dilemma which may or may not be solved but it is romantic because the couple are both very loved up. 

NARRATIVE THEORY: 

• Propp: Vladimir Propp broke up fairy tales into sections. Through these sections he was able to define the tale into a series of sequences that occurred within the Russian fairytale. Usually there is an initial situation, after which the tale usually takes the following 31 functions. 
• Todorov: 
• Barthes:
• Levi-Strays:

what is required for a good piece of film narration?

i understand that a good piece of film narration requires a clear and loud voice as this allows the listener to easily engage with the speaker. 

A good piece of film narration should also have appropriate language choice for the subject matter it is narrating. This language choice should be fitting with both the genre of the movie and the target audience of the movie, for instance, a piece of narration for a children's movie would use simple language opposed to more complex dialect as the target audience, that being children need to both understand and engage with the speaker.

Is narration something that you are contemplating for your own coursework?

Currently, we are planning our coursework, however the topic of narration has not occurred. although, having researched about how it can improve films, we may consider it. I believe more thought and discussions should take place before making an important decisions. 

DG

Coursework Research - Settings

Settings 

what is setting?

The place or type of surroundings where something is positioned or where an event takes place. A strong setting is almost like a character in its own right. It has heart and soul, different moods, the ability to change, an influence on people and events. 

What Exactly Is Setting?

Setting is the backdrop against which the characters act out the events. A story with a poorly-portrayed setting is like a play on a bare stage. You have character and plot (the important parts) but no sense of place.

And that's kinda dull for your readers!

Setting matters, then. And in order to make it as atmospheric as you can, you need to make it multi-dimensional.

How? By understanding that a story's setting extends way beyond houses and streets and trees. Here are the different elements...

what are conventional settings we expect to see used in the film openings of each of the following genres: 

• Comedy - During the opening scenes of a comedy film, the setting can be anywhere, usually somewhere normal with any possibility. For example, during the opening scene of american pie we see a room with a young man watching inappropriate videos on his television. The man's parents then enter his room as they are saying goodnight to him. This opening would be considered an opening due to it being relatable and awkward between children and parents.  We then understand that the film we are about to watch is a comedy. 
• Horror - during the opening scenes of horror films, the setting is usually in a place that is dark, mysterious and eerie. for example the opening scene of 'the women in black' there is three little girls playing with their dolls, however when the scene progresses all three girls look towards the camera. Then, the girls get up and walk towards a window, you see all three jump with grieving and shouting which i presume  are the mothers of the three children. this then shows us that the film is going to be about horrific events that have happened and maybe that are going to happen. 
• Romance - The setting for a romantic film, again is somewhere normal where nothing can happen. for example, During the opening scene of 'Love Actually' there is 5 or so characters singing in a booth, however during this opening the camera moves towards the producers who are shocked/laughing. This tells us that the singing is not serious. however the song is about love which may have some reverence to the genre of the film. 
• Action - The setting for action films is usually hectic and manic due to a lot of things happening. for example, during 'sky-fall' there is an animation. However, this animation has a lot of different objects movie around the screen. For example, there is guns during the animation which may imply a lot of chasing which ultimately leads to the genre of action. 
• Drama - An example of a drama film would be forrest Gump. Together with his appearance (with the exception of his shoes) the props are a tidy and neat suitcase suggesting he may be off to work but also that he appreciates and takes good care of his belongings. There is no dialogue in the opening two minutes, yet I believe we can already say a lot about the character. For example, his shoes are extremely muddy, whereas the rest of his clothing is extremely smart and presentable indicating that they usually are very clean and tidy, and that his muddy shoes have something to do with the plot. The opening ends with a bus stopping in front of the character that we assume is Forrest, which could be seen as an effective way of leading the audience on to the rest of the film, as we join the character on his journey.

How important is setting in the construction of mine-en-scene and creating an understanding for the viewer? 

MISE-EN-SCENE

Mise en scène encompasses the most recognizable attributes of a film – the setting and the actors; it includes costumes and make-up, props, and all the other natural and artificial details that characterize the spaces filmed.  The term is borrowed from a French theatrical expression, meaning roughly “put into the scene”.  In other words, mise-en-scène describes the stuff in the frame and the way it is shown and arranged.  We have organized this page according to four general areas: setting, lighting, costume and staging.  At the end we have also included some special effects that are closely related to mise-en-scène.

SETTING 

Setting creates both a sense of place and a mood and it may also reflect a character’s emotional state of mind.  It can be entirely fabricated within a studio – either as an authentic re-construction of reality or as a whimsical fiction – but it may also be found and filmed on-location.  In the following image, from Sofia Coppola’s Marie Antoinette (2006), the ornate décor evokes 17th century France and the castle of Versailles.  But here the baroque detailing overwhelms the character, conveying her despair.  The actress’s position in relation to the objects within the frame suggests that, as a pawn in the dynastic enterprise, Marie Antoinette is little more than a footstool.

after reading the articles above from the website - https://collegefilmandmediastudies.com/mise-en-scene-2/ i believe that the setting is very important when constructing a mise en scene. 

DG